Travel through masterpieces of modern and contemporary art via this elegant Phaidon survey celebrating a visionary collector
âGood contemporary art reflects society, and great contemporary art anticipates. Â»_ Don Marron
Her wide open left eye directly confronts the viewer, while her right eye, positioned just above an exaggerated pink cheek and ear, looks to the viewer’s left. The split gaze emphasizes the subtleties of the portrait while evoking the pluralities of Picasso’s many lovers.
Woman with beret and ruff (Woman with beret and necklace) was painted in 1937, the same year as the very famous Guernica, and woman sitting (Jacqueline), the grayscale representation of Picasso’s second wife and favorite muse.
The portraits are among more than 300 modern and contemporary masterpieces acquired over six decades by American financier and entrepreneur Don Marron, featured in Phaidon’s Complete Book. Don Marron: Chronicle of the collection: Acquavella, Gagosian, Pace. Available for $ 100, this sumptuous book invites us into the prized collection of one of the most intuitive, prolific and savvy collectors of the 20th and 21st centuries.
Marron’s family surprised and rocked the top-notch art world and rocked the auction giants after his death of a heart attack on December 6, 2019 at the age of 85, selling his treasured collection as part of a joint venture between gallery giants Pace, Gagosian and Acquavella.
Donald Baird Marron amassed his fortune as Chairman and CEO of Paine Webber & Co. from 1980 through the sale of the US investment bank and brokerage firm to Swiss bank UBS for 10.8 billion dollars in 2000. The deal gave Switzerland’s top bank access to millions of wealthy American investors in what marked a seismic shift for the global banking industry. The acquisition valued Marron’s stake in the company at $ 215 million.
In what has become ubiquitous in Goliaths financial services, Marron helped popularize the trend of displaying elite corporate art collections in sprawling offices.
Marron began collecting paintings from the Hudson River School in the 1960s and quickly developed an affinity for acquiring modernists such as Paul Klee and contemporary masters such as Robert Rauschenberg and Jasper Johns in the 1970s. He amassed over 850 works by artists such as Jenny Holzer, Elizabeth Murray, Ed Ruscha and Andy Warhol, via PaineWebber to create what has become the enviable UBS Art Collection that has transformed the offices into an upscale gallery. Many of these works have been loaned or pledged to the Museum of Modern Art in New York, where Marron was life administrator and president emeritus.
by Rauschenberg Photograph (1959) illustrates his enthusiasm for found materials and his rebellion against abstract expressionism, which dominated the American avant-garde art movement in the early 1950s. Rauschenberg’s mixed media series “combine” reinvented collage , by subverting a medium to create syncopated grids that invite a narrative of everyday life and the history of art.
John’s Two paintings (2006) takes us forward on the path of art history, by examining this diptych borrowing from the motif of the Harlequin’s plaid costume popularized in 17th-century England and combining a known motif with abstraction .
Rauschenberg and Johns in 1961 broke up a legendary love affair, citing irreconcilable professional, aesthetic and romantic clashes. Learn about the impact of their relationship on their artistic practices on this must-see tour Jasper Johns: Spirit / Mirror, presented simultaneously at the Whitney Museum of American Art in New York and the Philadelphia Museum of Art through February 13, 2021. The exhibition transforms art history with passionate and meticulously researched curation, culminating at five and a half years collaboration between Scott Rothkopf, Senior Deputy Director and Chief Curator of the Nancy and Steve Crown Family at the Whitney, and Carlos Basualdo, Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and engagement with the ’91-year-old American Master.
Memorable Jasper Johns Retrospective Reveals Parallel Tales at the Whitney and Philadelphia Museum of Art, Transforming Our Perception of the Unparalleled Living Master
Created in close collaboration by Acquavella, Gagosian and Pace, Don Marron: Chronicle of the collection has a introduction by Arne Glimcher, founder and president of the Pace Gallery, as well as insightful essays by Glenn D. Lowry, director of the Museum of Modern Art, as well as an intimate tribute to Marron’s son, William Marron.